Stephen and Andreea started this blog as a writing challenge - taking Ian Fleming's characters, James Bond and Moneypenny, but reframing them for a more modern audience. Whilst Andreea takes time away from writing, the story continues - Moneypenny's place being taken by another new agent, Xiomara. As with any blog, the latest episode is the first to be seen and you might like to start at the beginning of the tale? For our joint writing, see the 'Composite story' link on the left of the page.
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Showing posts with label Argentine tango.. Show all posts
Showing posts with label Argentine tango.. Show all posts
Postscript for readers of Bond and Moneypenny blog
In December 2017 the writers, Stephen Twist and Andreea Vladan agreed to take up a writing challenge involving each of them penning episodes of a storyline set in Buenos Aires, reviving the famous characters of James Bond and Moneypenny.
The idea behind the challenge was to write together (frequently in the same room), but independently; in each episode setting challenges and traps for each other’s characters, allowing a story to unfurl without forward planning. For both rookie writers, the task called on new skills and was designed to stretch both our writing experience and imagination.
At the outset we had little concept as to how our characters would develop, save that Bond was now in his 60’s, retired (almost) from MI6 and in Buenos Aires to dance Argentine tango. Conversely, Moneypenny had not aged a day, remaining in her early 30’s, lively and in slight awe of Bond. No doubt this configuration owed much of its provenance to the ages of the writers themselves!
We did, however, want to include a host of characters based on our friends - when I we say ‘based’ we really mean ‘stolen’. Taking our friends’ names, we wove a little mystery into their fictional characters and frequently a touch of undeserved evil. It follows that none of those named in the blog bear any but a passing resemblance to the invented characters they inspired.
All good things must come to an end, and with our respective and increasing separations from Buenos Aires we concluded that the time was right for new writing ventures. Our love for our characters does mean that we shall be keeping this blog for posterity: not least because by choice we have taken Bond away from his historic misogyny, and Moneypenny from her subordinate eye-candy role. No doubt film producers will clamour for our services.
It remains to thank all of our readers - those who followed each episode and sent comments; those who occasionally dipped into the blog out of curiosity; and of course, those that lent us their names.
We wish our readers well. Do not delete the blog from your list of notifications or favourites. Who knows, Bond and a resurrected Moneypenny may return some day; and with your presence here, you will be the first to know!
Final decisions
In the last episode you will recall that we were directed to go to Fundación Mercedes Sosa, Humberto Primo in San Telmo, formerly a religious institution, hospital, barracks and prison, now a cultural centre dedicated to South American culture and the memory of the renowned folklorique performer, Mercedes Sosa.
Raul steers the grey Falcon from Ave Ingeriero Huergo across stone sets into Humberto Primo to stop behind a queue of similar Falcons outside no 378. Norm and I are clearly the last to arrive.
Unlike the others, however, our journey across Puerto Madero had required total concentration.
"James", Raul directed sternly, "you have to listen carefully to what I am about to say. Do not interrupt me. You now have little time".
"Things are not what they seem. Susan Boothroyd isn't who you think her to be. She has infiltrated MI6 but her masters are Chinese. She works undercover for Chen Wenqing's SSA".
For a moment I froze not knowing what to believe. Did my friend Maria Cristina know this, and who was Cristina working for? What about Savident and Hammond; where did their allegiances lay? Was Mireille at risk? Who on earth was Sabrina? Finally, who attempted to kill Moneypenny and why?
Norm breathed out, "I knew it, James; all that bollocks about a transgender regional head of MI6. How could we have been so stupid?", adding, "and that why we have an attempt on Moneypenny's life".
"We need you both in there - that is the Fundacion I mean", continues Raul. "We must know what is happening, but if you take my advice, you will not stay too long". "Find some excuse to get away...any excuse...any way", he continues.
With that, the door to the Falcon swung shut and it disappeared west into the San Telmo traffic.
"Stay close and don't breathe", I ordered, "and Norm, don't say anything with that Northern Irish accent of yours", I added as I pushed him ahead of me. "If they ask I will say that you are my driver and you need a comfort break".
Those that know the Fundacion Mercedes Sosa will be familiar with the entrance straight from the street leading to an open cloistered courtyard. To the right is a visitors' information room and studio, straight ahead a passage leading deep into the recesses of the building.
"Senor, te estan esperando", says the security officer, directing us towards the chained-off area. Norm lifts the links and we pass through. The corridor is in partial darkness, the only light being that from the courtyard. We descend into the gloom.
The fifth door on the left is ajar, and voices sound from within. I step through, whilst Norm continues to the door recess for room six. As I enter I feel a new atmosphere, one of anxiety, laminated with the feint smell of sweat. Boothroyd is seated on the edge of the table, Maria Cristina to her right. Mireille looks downwards forlorn, whilst Savident and Hammond recline uneasily on wooden chairs to one side. As for Sabrina, there is no trace.
"Ah, Bond", says Boothroyd as I enter, "at last - and true to type, the last".
"It seems that Moneypenny may survive, but this marks the end of her time with the department, and I fear, the end of her career as a tanguera", continues Boothroyd. "As for the rest of you, the team is disbanded due to security concerns". "That will take effect immediately", she adds curtly, "your passes will be taken as you leave the building". "That is all".
At that moment there is an urgent rattle at the door. Norm appears in the doorway. "Chicos...atacado auto", he yells, hardly disclosing an Ulster note whilst waving at me to follow.
We race down the corridor and in tandem leap the chain rail. The security officer is in his room and unable to react as we run towards the door to the street. Visitors stand back and gasp. Outside waiting is the grey Falcon, Raul at the wheel.
"Let's go", urges Norm as the Ford cuts into the traffic and we race past Plaza Dorrego towards Bolivar.
On entering Av San Juan, Raul turns. "I am sorry to say, James, the news is that Moneypenny died an hour ago in the Hospital Britanico".
As we return to Puerto Madero in afternoon light, clouds have gathered ominously overhead. Raul's words pierce my heart like a knife. It cannot be possible. Moneypenny...she had everything to live for - tango, youth, life.
Tears trickle down my cheek. I feel numbed. The light fades; sound dims; the buildings either side close in. It is as if a spark has been extinguished without reason.
"Where to James", says Raul softly, "may I suggest Palacio Huedo and take stock there. Perhaps a cup of tea from Rosa?"
And with that we thread through Av Independencia towards 9 de Julio and on to San Martin. My mind is like ice, my feelings frozen.
'What is left for me here in Buenos Aires?', I ask myself. But this time I do not have or hear an answer.
Finding ‘C’ - the back story
Dear Reader,
I must interrupt the story at this point before Mireille and I disembark the Manuel Tienda Leon bus into Buenos Aires, to tell you about ‘C’.
At the mention of her name, it all became clear. For good reason, few people on the planet knew about her. For a special reason, I was one of the few. And evidently, that was why I was here.
Recruited over a decade earlier in Buenos Aires by Maria Cristina (known in the department as ‘M’) with the help of M’s assistant Paul Savident, Cecilia was to become one of the UK government’s most important South American assets. When I was informed of my first posting to Buenos Aires, it seemed just one of those random places that the Ministry insists upon. After months trapped in Whitehall, I saw it as the dream job - for climate, wine, culture, and tango. Yet very soon it became clear why I had been sent. My task was to train ‘C’, the latest, and most talented MI6 acquisition in years.
My first meeting with ‘C’ was arranged to take place at Convento San Ramon Nonato in Calle Reconquista, behind the huge Bank of Argentina in downtown Buenos Aires. The convent is an oasis in the heart of the city, with shaded pavement cafes beneath the cloisters, surrounding sun-kissed terraces. During weekdays, lunch is served by ancient waiters at linen covered tables, away from the hubbub of city sounds. In the gardens whilst the bells of the convent are silent, you can hear the vibration of hummingbird wings as they flit from flower to flower. It is the one place in the city where meeting can be discrete and unnoticed.
Our first encounter remains a vivid memory. Approaching, a woman of both beauty and bearing, Spanish waves of black hair cascading down her back. Remarkable was her gaze, her penetrating dark brown eyes displaying immediate intelligence.
Cecila had trained as a psychologist, then turned to the camera to become Buenos Aires’ most fashionable portrait photographer. It was this combination of skills that had caught Savident’s eagle-eyed attention when visiting her gallery in Plaza Serrano, Palermo. Through her work, not only did she know and photograph Argentina’s leading politicians and influencers, but she had an immediate understanding of the working of their minds, delving into innermost thoughts, like an Annie Leibovitz, Dorothea Lange, Diane Arbus, or Yousuf Karsh.
Since then years had passed and ‘C’, as expected, had risen in the ranks to be one of the most useful, effective and charismatic agents in the field. And now she had suddenly disappeared.
The alarm was raised by her friend Norm Keilty, Northern Ireland’s international photographer. His emails had gone unanswered, texts unread and phone messages ignored. That traffic, or the lack of it, was picked up by MI5, and her loss became immediately evident.
As the coach pulls into the Tienda Leon guarded station and we prepare for our transfer, Mireille looks strained. “James, I know how this looks; I should have said something earlier. You should have been told”. There follows one of Mireille’s famous French pauses, “but we needed your support and assistance. The truth is, James, we know all about you and C, and how hard this will be for you”.
“You will be joined by Norm, Hammond and Moneypenny, if we can locate her. You are the team. Savident is your handler, and Raul and I will be available if you need support. We part here. Perhaps we may meet at the new Club Gricel if you have news?”
With that, Mireille stepped down from the coach, a fifty peso note imperceptibly exchanged hands with the coach driver, and she disappeared wheeling her case into the crowds of Retiro.
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