Final decisions

In the last episode you will recall that we were directed to go to Fundación Mercedes Sosa, Humberto Primo in San Telmo, formerly a religious institution, hospital, barracks and prison, now a cultural centre dedicated to South American culture and the memory of the renowned folklorique performer, Mercedes Sosa.

Raul steers the grey Falcon from Ave Ingeriero Huergo across stone sets into Humberto Primo to stop behind a queue of similar Falcons outside no 378. Norm and I are clearly the last to arrive.

Unlike the others, however, our journey across Puerto Madero had required total concentration.

"James", Raul directed sternly, "you have to listen carefully to what I am about to say. Do not interrupt me. You now have little time".

"Things are not what they seem. Susan Boothroyd isn't who you think her to be. She has infiltrated MI6 but her masters are Chinese. She works undercover for Chen Wenqing's SSA".

For a moment I froze not knowing what to believe. Did my friend Maria Cristina know this, and who was Cristina working for? What about Savident and Hammond; where did their allegiances lay? Was Mireille at risk? Who on earth was Sabrina? Finally, who attempted to kill Moneypenny and why?

Norm breathed out, "I knew it, James; all that bollocks about a transgender regional head of MI6. How could we have been so stupid?", adding, "and that why we have an attempt on Moneypenny's life".

"We need you both in there - that is the Fundacion I mean", continues Raul. "We must know what is happening, but if you take my advice, you will not stay too long". "Find some excuse to get away...any excuse...any way", he continues.

With that, the door to the Falcon swung shut and it disappeared west into the San Telmo traffic.

"Stay close and don't breathe", I ordered, "and Norm, don't say anything with that Northern Irish accent of yours", I added as I pushed him ahead of me. "If they ask I will say that you are my driver and you need a comfort break".

Those that know the Fundacion Mercedes Sosa will be familiar with the entrance straight from the street leading to an open cloistered courtyard. To the right is a visitors' information room and studio, straight ahead a passage leading deep into the recesses of the building.

"Senor, te estan esperando", says the security officer, directing us towards the chained-off area. Norm lifts the links and we pass through. The corridor is in partial darkness, the only light being that from the courtyard. We descend into the gloom.

The fifth door on the left is ajar, and voices sound from within. I step through, whilst Norm continues to the door recess for room six. As I enter I feel a new atmosphere, one of anxiety, laminated with the feint smell of sweat. Boothroyd is seated on the edge of the table, Maria Cristina to her right. Mireille looks downwards forlorn, whilst Savident and Hammond recline uneasily on wooden chairs to one side. As for Sabrina, there is no trace.

"Ah, Bond", says Boothroyd as I enter, "at last - and true to type, the last".

"It seems that Moneypenny may survive, but this marks the end of her time with the department, and I fear, the end of her career as a tanguera", continues Boothroyd. "As for the rest of you, the team is disbanded due to security concerns". "That will take effect immediately", she adds curtly, "your passes will be taken as you leave the building". "That is all".

At that moment there is an urgent rattle at the door. Norm appears in the doorway. "Chicos...atacado auto", he yells, hardly disclosing an Ulster note whilst waving at me to follow.

We race down the corridor and in tandem leap the chain rail. The security officer is in his room and unable to react as we run towards the door to the street. Visitors stand back and gasp. Outside waiting is the grey Falcon, Raul at the wheel.

"Let's go", urges Norm as the Ford cuts into the traffic and we race past Plaza Dorrego towards Bolivar.

On entering Av San Juan, Raul turns. "I am sorry to say, James, the news is that Moneypenny died an hour ago in the Hospital Britanico".

As we return to Puerto Madero in afternoon light, clouds have gathered ominously overhead. Raul's words pierce my heart like a knife. It cannot be possible. Moneypenny...she had everything to live for - tango, youth, life.

Tears trickle down my cheek. I feel numbed. The light fades; sound dims; the buildings either side close in. It is as if a spark has been extinguished without reason.

"Where to James", says Raul softly, "may I suggest Palacio Huedo and take stock there. Perhaps a cup of tea from Rosa?"

And with that we thread through Av Independencia towards 9 de Julio and on to San Martin. My mind is like ice, my feelings frozen.

'What is left for me here in Buenos Aires?', I ask myself. But this time I do not have or hear an answer.