Postscript for readers of Bond and Moneypenny blog

In December 2017 the writers, Stephen Twist and Andreea Vladan agreed to take up a writing challenge involving each of them penning episodes of a storyline set in Buenos Aires, reviving the famous characters of James Bond and Moneypenny.

The idea behind the challenge was to write together (frequently in the same room), but independently; in each episode setting challenges and traps for each other’s characters, allowing a story to unfurl without forward planning. For both rookie writers, the task called on new skills and was designed to stretch both our writing experience and imagination.

At the outset we had little concept as to how our characters would develop, save that Bond was now in his 60’s, retired (almost) from MI6 and in Buenos Aires to dance Argentine tango. Conversely, Moneypenny had not aged a day, remaining in her early 30’s, lively and in slight awe of Bond. No doubt this configuration owed much of its provenance to the ages of the writers themselves!

We did, however, want to include a host of characters based on our friends - when I we say ‘based’ we really mean ‘stolen’. Taking our friends’ names, we wove a little mystery into their fictional characters and frequently a touch of undeserved evil. It follows that none of those named in the blog bear any but a passing resemblance to the invented characters they inspired.

All good things must come to an end, and with our respective and increasing separations from Buenos Aires we concluded that the time was right for new writing ventures. Our love for our characters does mean that we shall be keeping this blog for posterity: not least because by choice we have taken Bond away from his historic misogyny, and Moneypenny from her subordinate eye-candy role. No doubt film producers will clamour for our services.

It remains to thank all of our readers - those who followed each episode and sent comments; those who occasionally dipped into the blog out of curiosity; and of course, those that lent us their names.

We wish our readers well. Do not delete the blog from your list of notifications or favourites. Who knows, Bond and a resurrected Moneypenny may return some day; and with your presence here, you will be the first to know!

Farewell to Buenos Aires

A thin sun lights a damp autumnal San Martin. The lattice doors of the Palacio Haedo lift clang closed as we start our descent to a bustling Av Santa Fe. Raul looks pensive.

"If you have forgotten anything, James, I will send it on to London", he says, more to fill the silence than to declare an intention. He knows that, in one leather bag, I have everything that I brought to Buenos Aires. And in his heart he knows too that I have left behind the thing most precious to me. He sees my strained, creased face, and feels my loss - a bereavement that goes down to the soul. 

As the lift clatters to a halt on the ground floor, Cleo, Raul's black cat, crosses purposefully on her way to the palacio kitchens. Horacio's eyes leave the flickering television in the attendant's lodge and he leaps up, rushing into the entrance hall. "Senor Bond, I going to miss you", he stutters with emotion, waiting for his hug.

A black and yellow radio taxi is standing in the street, its driver re-reading the news in Clarin. Raul opens the rear nearside door. "Have a good flight, James, and stay in touch won't you". There is another moment of silence before he adds, "you are the last of the old guard". A sweep of the second hand pushes time and urges the moment of parting.

And away, threading the morning traffic, the taxi windows wide open to admit the breeze bearing last early autumn scents of the barrio, then heading to the raised carriageway of Av 25 de Mayo that will zip out to Airport Ezeize - and beyond, over an Atlantic night, to a Heathrow dawn.

Farewells are bitter-sweet. The intrinsic sadness of leaving friends and familiarity is tempered by melancholy. Thoughts and feelings heighten, and I grasp for final memories. There remains but a glance across the roof tops of the city, and back - before the present unveils the changing picture of life's new challenges.

Final decisions

In the last episode you will recall that we were directed to go to Fundación Mercedes Sosa, Humberto Primo in San Telmo, formerly a religious institution, hospital, barracks and prison, now a cultural centre dedicated to South American culture and the memory of the renowned folklorique performer, Mercedes Sosa.

Raul steers the grey Falcon from Ave Ingeriero Huergo across stone sets into Humberto Primo to stop behind a queue of similar Falcons outside no 378. Norm and I are clearly the last to arrive.

Unlike the others, however, our journey across Puerto Madero had required total concentration.

"James", Raul directed sternly, "you have to listen carefully to what I am about to say. Do not interrupt me. You now have little time".

"Things are not what they seem. Susan Boothroyd isn't who you think her to be. She has infiltrated MI6 but her masters are Chinese. She works undercover for Chen Wenqing's SSA".

For a moment I froze not knowing what to believe. Did my friend Maria Cristina know this, and who was Cristina working for? What about Savident and Hammond; where did their allegiances lay? Was Mireille at risk? Who on earth was Sabrina? Finally, who attempted to kill Moneypenny and why?

Norm breathed out, "I knew it, James; all that bollocks about a transgender regional head of MI6. How could we have been so stupid?", adding, "and that why we have an attempt on Moneypenny's life".

"We need you both in there - that is the Fundacion I mean", continues Raul. "We must know what is happening, but if you take my advice, you will not stay too long". "Find some excuse to get away...any excuse...any way", he continues.

With that, the door to the Falcon swung shut and it disappeared west into the San Telmo traffic.

"Stay close and don't breathe", I ordered, "and Norm, don't say anything with that Northern Irish accent of yours", I added as I pushed him ahead of me. "If they ask I will say that you are my driver and you need a comfort break".

Those that know the Fundacion Mercedes Sosa will be familiar with the entrance straight from the street leading to an open cloistered courtyard. To the right is a visitors' information room and studio, straight ahead a passage leading deep into the recesses of the building.

"Senor, te estan esperando", says the security officer, directing us towards the chained-off area. Norm lifts the links and we pass through. The corridor is in partial darkness, the only light being that from the courtyard. We descend into the gloom.

The fifth door on the left is ajar, and voices sound from within. I step through, whilst Norm continues to the door recess for room six. As I enter I feel a new atmosphere, one of anxiety, laminated with the feint smell of sweat. Boothroyd is seated on the edge of the table, Maria Cristina to her right. Mireille looks downwards forlorn, whilst Savident and Hammond recline uneasily on wooden chairs to one side. As for Sabrina, there is no trace.

"Ah, Bond", says Boothroyd as I enter, "at last - and true to type, the last".

"It seems that Moneypenny may survive, but this marks the end of her time with the department, and I fear, the end of her career as a tanguera", continues Boothroyd. "As for the rest of you, the team is disbanded due to security concerns". "That will take effect immediately", she adds curtly, "your passes will be taken as you leave the building". "That is all".

At that moment there is an urgent rattle at the door. Norm appears in the doorway. "Chicos...atacado auto", he yells, hardly disclosing an Ulster note whilst waving at me to follow.

We race down the corridor and in tandem leap the chain rail. The security officer is in his room and unable to react as we run towards the door to the street. Visitors stand back and gasp. Outside waiting is the grey Falcon, Raul at the wheel.

"Let's go", urges Norm as the Ford cuts into the traffic and we race past Plaza Dorrego towards Bolivar.

On entering Av San Juan, Raul turns. "I am sorry to say, James, the news is that Moneypenny died an hour ago in the Hospital Britanico".

As we return to Puerto Madero in afternoon light, clouds have gathered ominously overhead. Raul's words pierce my heart like a knife. It cannot be possible. Moneypenny...she had everything to live for - tango, youth, life.

Tears trickle down my cheek. I feel numbed. The light fades; sound dims; the buildings either side close in. It is as if a spark has been extinguished without reason.

"Where to James", says Raul softly, "may I suggest Palacio Huedo and take stock there. Perhaps a cup of tea from Rosa?"

And with that we thread through Av Independencia towards 9 de Julio and on to San Martin. My mind is like ice, my feelings frozen.

'What is left for me here in Buenos Aires?', I ask myself. But this time I do not have or hear an answer.